Calliope - Number 15 - 2022
CONTRIBUTORS
from Graduate courses
Rhetorical Analysis of General Douglas MacArthur’s Speech “Duty, Honor, Country”
Kathryn Buys
How Artificial Intelligence Narratives Engage with Posthumanist Philosophy
Anna Rinaldi
Tracing Fey: From Doom to Magic
Destinee Sims
from Upper Division courses
A Feminist and Queer Theorist Approach to Hamlet
Lischa Mears
Animal Instinct and Journeys into the Primordial World: Atavism and Evolution in The Call of the Wild and “To
Build a Fire”
Kayla Rogers
The End of the Class: A Shakespearean Tier Pun
Ian Tash
from Lower Division courses
Wilfred Owen’s “Dulce et Decorum Est”: The Realities Versus the Deceptions of War
Ana Dominguez
Multifaceted Women in Zadie’s Smith’s “The Waiter’s Wife”
Jocelyne Ordonez
Lady Catherine de Bourgh: Jane Austen’s Critique of English Nobility
Melinda Quach
Enlisting in the Grave of World War 1
Alondra Roman
Adichie’s “Checking Out” and Immigrant Identity
Monica Williams
Rhetorical Analysis of General Douglas MacArthur’s Speech “Duty, Honor, Country”
Kathryn Buys
How Artificial Intelligence Narratives Engage with Posthumanist Philosophy
Anna Rinaldi
Tracing Fey: From Doom to Magic
Destinee Sims
from Upper Division courses
A Feminist and Queer Theorist Approach to Hamlet
Lischa Mears
Animal Instinct and Journeys into the Primordial World: Atavism and Evolution in The Call of the Wild and “To
Build a Fire”
Kayla Rogers
The End of the Class: A Shakespearean Tier Pun
Ian Tash
from Lower Division courses
Wilfred Owen’s “Dulce et Decorum Est”: The Realities Versus the Deceptions of War
Ana Dominguez
Multifaceted Women in Zadie’s Smith’s “The Waiter’s Wife”
Jocelyne Ordonez
Lady Catherine de Bourgh: Jane Austen’s Critique of English Nobility
Melinda Quach
Enlisting in the Grave of World War 1
Alondra Roman
Adichie’s “Checking Out” and Immigrant Identity
Monica Williams